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Cr translation done by @ukifune19 on twitter, translation taken from stage48 ^Honda Tetsuya (51), the well-known mystery/horror/suspense writer who wrote Borderless watched all three nights of Backs Live.
Uemura Rina – She fully showed the special “doll” feeling she gave in Mou Mori.
Saitou Fuyuka – Right from the earliest period of Keyaki, this is the kind of group she wanted. I’m sure of it.
Habu Mizuho – “There’s no point in not continuing to change.” She has in fact raised her level of perfection, so her saying this is convincing.
Harada Aoi – After her return from hiatus, she has become an impressive figure, beautiful and light.
Moriya Akane – A woman’s strength...known precisely because of her weakness. An adult woman.
Watanabe Rika – Everyone loves Pe-chan. She gave her very best.
Inoue Rina – Good girl. Nice profile. Her international-model looks are a great weapon. She definitely has to get an opportunity to show her ability to play musical instruments in a live. “The Rina-chans"?
Endou Hikari – No other member made as great strides in this live. Wonderful! Perfect. [note: more at the bottom of this list]
Ozono Rei – The camera could always pick her out. No weak spots. No mistakes. Also perfect.
Oonuma Akiho – Her expressions were totally different from on SokoSaku. Wonderfully animated.
Kousaka Marino – Her performance of expressions was surprisingly detailed. She enlivened her natural calmness.
Seki Yumiko – Day by day, she polished her Guuzen no Kotae. On the the third day, it was really excellent. But her “chairman” aspect still showed, and looked good.
Takemoto Yui – A performance with soul. And a good voice. The more she brings a song to life, the better she looks.
Masumoto Kira – “I can probably do it.” Her pureness is Sakurazaka’s treasure.
Matsuda Rina – Outstanding leadership. Make no mistake, she was the one who worked hardest in this live. Someday she will have to get a situation where we listen carefully to her singing.
Moriya Rena – In addition to a beauty that’s effective in every context, her dynamic performance was impressive. A tremendous beauty with a tremendous future. She has so much inner strength that her expression never wavers.
Honda-sensei goes on to talk more about Endou Hikari:
The way every member took on the challenge of being centre was wonderful. I like a group to have shifting centres, so this really pleased me. As we went through the two hours, new talent made itself known, and new appeal blossomed.
Endou Hikari-chan especially caught the eye. My eyes kept unconsciously following her. I knew from the time she joined the group that her dancing was sharp. But I didn’t realize how great her figure was, and how well she showed on stage. She’s too nervous to show well on SokoSaku, but on stage is a different thing altogether.
Welcome around, i try my best to update this but I might fall behind really quickHello and welcome. thanks for the kind thread.
'Nice Girls' at 46.
i was really surprised they all had high budgets for these singlesWow sakamichi on a roll. I really liked all of their cb singles.