the record is for the longest running girl band with no changes to their line up
of course it was an emotional moment for all the members but to many seems the surprise was Mami, i was reading the chat during the stream and everyone was saying how Mami always keep it cool, is always stoic, etc but she actually had the most emotional reaction to it, the lesson here is that 17 years into their careers people shouldn't assume to know everything about the members and that there are plenty of surprises left from SCANDAL
so they took down the stream after it ended but here is a video from a fan, this was after they received the award and is not complete (later Mami was given another change to give an speech but had trouble putting her feelings into words)
2023年8月21日SCANDAL 17th ANNIVERSARY 『世界一』“相同成员最长活动时间摇滚乐队(女性)” 吉尼斯世界记录™️认定!(现场拍摄)_哔哩哔哩_bilibili
2023年8月21日SCANDAL 17th ANNIVERSARY 『世界一』“相同成员最长活动时间摇滚乐队(女性)” 吉尼斯世界记录™️认定!(现场拍摄)断断续续拍了一些,剪辑在一起了!能一直见到你们真好!, 视频播放量 1269、弹幕量 11、点赞数 53、投硬币枚数 31、收藏人数 21、转发人数 7, 视频作者 Fuzzy_Haru_Mood, 作者简介 https://weibo.com/utakata ,相关视频:2020.02.22「SCANDAL『Kiss from the darkness』SPECIAL」SSTV 特别番组,SCANDAL - アイドル...
www.bilibili.com
some people were mad that they didn't play any songs in the stream but the members previously stated that in Youtube only the award ceremony was going to be shown, sure would had been cool to see 1 or 2 songs but i was pretty happy watching the stream, i was smiling during the whole thing so no complaints from my part
also i really liked the outfits they wore this time you just can't go wrong with black and white, i think Mami's outfit was my favorite but they all looked pretty good
that said i'm curious, was Rina's dress just a really a large shirt?
now you would assume is just the style of the dress right? but for example when Rina was holding the microphone during her speech her fingers barely were reaching outside the sleeves (which to be fair was pretty damn cute) anyway just some random thoughts
-
today they debuted their new single "Highlight no Naka de Bokura Zutto", it goes out on sale on October 4th
the digital version is now available for purchase and streaming
they also unveiled a new group photo, hopefully these are the new uniforms since they look pretty good
and of course today is also Rina's birthday!
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Tomomi anniversary related post
off topic but since we are talking about the Guinness record is probably worth talking about the previous record holders
the previous record holders for the longest running girl band with no changes to their line up was the Japanese girl band "ZELDA" (ゼルダ) unfortunately and because they
1) were active before Japanese music was popular around the world
2) were active before the internet was widespread
there is just not much info about them out there, most recent mentions of the group have been related to SCANDAL and how they were close to breaking their record, that said what we do know is that:
there is obviously more to them but again is hard to find information about the group, that said they were mention multiple times by the members of SCANDAL, for example this article of SCANDAL's 10th anniversary from 2016 mentions the band ZELDA
(also wow, that article is from 7 years ago yet 2016 feels pretty recent)
some videos i found in Youtube
a documentary about them
i was wondering if their name was inspired by the game franchise of The Legend of ZELDA but the first game "The Legend of Zelda" was released in 1986 and they debuted in 1979
i'm getting even more off topic but seems that both the band ZELDA and The Legend of Zelda franchise took inspiration for their names from "Zelda Fitzgerald"
interesting
anyway here more coverage of SCANDAL's Guinness record
the previous record holders for the longest running girl band with no changes to their line up was the Japanese girl band "ZELDA" (ゼルダ) unfortunately and because they
1) were active before Japanese music was popular around the world
2) were active before the internet was widespread
there is just not much info about them out there, most recent mentions of the group have been related to SCANDAL and how they were close to breaking their record, that said what we do know is that:
- they were a 4 member girl band
- they were active between 1979 and 1996
- they were awarded the record at some point after their disbandment
there is obviously more to them but again is hard to find information about the group, that said they were mention multiple times by the members of SCANDAL, for example this article of SCANDAL's 10th anniversary from 2016 mentions the band ZELDA
SCANDAL:目標は最長「ZELDA」超え 結成10周年で明かす“ガールズバンド”への思い - MANTANWEB(まんたんウェブ)
2006年に結成され、21日で10周年を迎えるガールズバンド「SCANDAL(スキャンダル)」。同日に地元・大阪の泉大津フェニックスで、「SCANDAL 10th ANNIVER…
mantan-web.jp
(also wow, that article is from 7 years ago yet 2016 feels pretty recent)
some videos i found in Youtube
a documentary about them
i was wondering if their name was inspired by the game franchise of The Legend of ZELDA but the first game "The Legend of Zelda" was released in 1986 and they debuted in 1979
i'm getting even more off topic but seems that both the band ZELDA and The Legend of Zelda franchise took inspiration for their names from "Zelda Fitzgerald"
Zelda Fitzgerald - Wikipedia
en.wikipedia.org
interesting
anyway here more coverage of SCANDAL's Guinness record
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i was wondering why the ep was so different from the others, seems it was a fan event
-
also first time watching the dinosaur race
it's from the WILDSTOCK episode where SCANDAL guested, i watched that one but i skipped the final part because i had no idea it was them
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Scandal Heaven translated Billboard Japan's interview with SCANDAL
https://www.billboard-japan.com/special/detail/4070
https://www.billboard-japan.com/special/detail/4070
Billboard Japan - <Us and Music Vol.24> with SCANDAL
Billboard Japan - <Us and Music Vol.24> SCANDAL - Living true to ourselves is the axis of the band Since 2007, Billboard has hosted "Billboard Women in Mus
www.scandal-heaven.com
Billboard Japan - <Us and Music Vol.24> SCANDAL - Living true to ourselves is the axis of the band
Since 2007, Billboard has hosted "Billboard Women in Music (WIM)." Each year, the Woman of the Year award is presented to an artist who has made significant contributions to the music industry and empowered women through her work. Starting in 2022, Billboard JAPAN launched a project featuring "women in the music industry" from a unique perspective, and as part of the project, it has been developing a series of interviews focusing on women: "Us and Music."
The guests this time are the four members of SCANDAL, who will be performing at 【Billboard JAPAN Women In Music vol.1】 on November 3 at Hibiya Open-Air Concert Hall. This year, on the band's 17th anniversary, they are also challenging the Guinness World Record for "Longest running rock band with the same musicians (female)." From their current state of mind, you can sense the importance of facing oneself, regardless of whether one is involved in a band or in music, and the core strength that comes from doing so.
We're proud of being an all-girl band
──You will be performing at 【Billboard JAPAN Women In Music vol.1】 on November 3 at Hibiya Open-Air Concert Hall. Please let us know how you feel about the offer.
HARUNA: This year is a very important year for us, which includes our 17th anniversary and us going for a Guinness World Record, and being invited to this wonderful event makes us happy, first of all. Because we've always been a band that values being women, we think that this event is perfect for us.
RINA: We'll be working out the details of our performance later on, but I hope we can present our current selves as is, including our new song that will be released in October. Also, like HARUNA said, the concept of the event is linked to what we feel, so we want to make it a performance with a message while enjoying the music.
──I'm very much looking forward to your performance at the concert now. You mentioned that you value being women. Specifically, how has being women affected SCANDAL's activities?
RINA: In our case, especially at one point about 10 years ago, people often said to us, "You guys transcend the realm of all-girl bands," or, "You're not an all-girl band—you're a full-fledged rock band." I think those were said as compliments, but we felt really uncomfortable with them at the time. When we confronted that feeling, we realized that we really like this genre of music, without any sense that being an all-girl band made us superior or inferior. We had a positive view of being an all-girl band, so when we were told that we had "surpassed being an all-girl band," we couldn't take it as a compliment.
TOMOMI: It was around that time that we began to think that it'd be nice if everyone could enjoy the music of a band, made by women, in a more flat way.
We have been living our lives in our own way - As a result, we have found a way to express ourselves as an all-girl band
──Until I met you all, I thought that there was no need to call you an "all-girl" band, or that you might be uncomfortable with the idea of being called an all-girl band. So when I heard that you like and are proud of the "all-girl band" genre, I realized how faulty my thinking was. What do you like about [being an all-girl band]?
TOMOMI: We had a chance to play concerts overseas during our indie label days, and at that time the four of us wore matching school uniforms. Because of that style, I think that the local people saw all-girl bands as a part of Japanese culture, like anime and manga. When we were interviewed in the US, we were asked, "With the four of you being women, why didn't you form a dance group instead?" I think the reason why that was said to us was because EDM was popular at the time, and all-girl bands must have been rare in the US then. We felt fresh and positive about being categorized as such.
RINA: Band booms come and go from time to time, and it depends on the country. I also think that in the midst of these waves, we have been able to keep the door open for 17 years to girls who want to play an instrument or be in a band. Including that point, our identity as an all-girl band is something we've always been proud of.
MAMI: For us, being an all-girl band is more about living in our own way, rather than liking the all-girl band genre and doing it for its own sake. A band was the best way for us to convey via songs the messages we experience in our everyday lives.
──I heard that you met at a music school where you studied vocals and dance, and that the instructors arranged for you to start playing instruments and form a band. At that time, I think there were fewer female-only bands than there are now. How did you feel at the beginning?
RINA: We felt challenged to start playing instruments we had never played before, and we also felt the technical difficulties. However, there was also the joy of being able to do things that the other students hadn't done, and the pleasure of gradually becoming able to do things we hadn't been able to do before. We were the first all-girl band at the music school we attended, so there was that special feeling as well.
HARUNA: I always liked music and wanted to go to that school and stand on stage with singing and dancing, but I didn't have much luck there. I was a senior in high school at the time and was wondering whether I would go on to college without fulfilling my dream, or whether I should start looking for a job. I felt that I did not want to miss this chance. I might have felt discouraged if I was on my own, but because I had three others with me, I was able to continue to have fun and things felt fresh every day.
──In the first place, I wonder why are there so few women in bands compared to men.
RINA: A band can't be formed by just one person, after all. So when a band consists of only women, there comes a time when each of their life stages change, such as having a child. Even if they don't have any, their bodies themselves change in their 20s and 30s, so I think they run into the problem of physical and time difficulties even if they have the energy. In this sense, the hurdle may be higher for women than for men.
TOMOMI: That's right. If you give birth at different times, you'll have to pause your activities for years. That's why I respect artists who continue to play music while raising children. I think it's a difficult task.
HARUNA: Considering that, in our case, maybe we were lucky that we formed early. Because we started our activities early on, we can reach a point in our life stages where we've continued on to a certain extent and are ready to change.
RINA: In that way, there was a time when we had the same worries as women who work at companies about balancing our careers and personal lives. The way we make music has changed as a result of us wondering how we can live happy and enjoyable lives.
HARUNA: Yeah. There was a time when we made a lot of up-tempo, flashy songs that would get people excited at festivals and concerts, but we began to think, "Is that enough?"
MAMI: Facing our own lives and future as women had an impact on our production. I think that was a very good thing.
──Do the four of you ever talk about or share such changes in mind?
MAMI: We don't have the chance to regularly do so, but we often have the opportunity, such as during interviews like this right now, to confirm each of our opinions and think, "That's right." Also, things like that naturally come up when we write songs. I think our shared view has always been, "We just want to have fun for a long time and keep the band healthy and honest, both physically and mentally."
TOMOMI: With that shared view, I feel that we are able to share in our daily conversations the desire to update and renew ourselves each time.
Important things to keep us going for a long time
──Little by little, I've begun to see how difficult it was to keep going for 17 years. How has SCANDAL been able to continue for so long? What's your secret?
MAMI: I often write lyrics and music, but when I'm stuck, I talk to the other members and they give me hints to make up for the missing elements. It does feel like each member makes up for what each of us lacks.
TOMOMI: It may be that the teacher who first approached the four of us had a discerning eye. We fit together perfectly like pieces of a puzzle, enough to wonder, "How did they know we'd work together so well?"
HARUNA: Also, the four of us didn't give up on playing instruments at the end, so we're still competitive and have plenty of guts (laughs). Maybe that's what the teacher saw in us.
RINA: That's true (laughs). After 17 years, our arrows are still pointing in the same direction. We spent a long time worrying about our direction. We've really tried a lot of different things, not only in regards to music and performances, but also in terms of outfits. Oddly enough, in those situations we all agree as to what will or will not make things more exciting.
TOMOMI: There was a long period of time when we had trouble finding our direction, but we got out of it before we knew it as we tried different things. I think we were probably struggling to become something we weren't. We wanted to fit into some box, but I guess it became easier once we stopped doing that.
RINA: Also, our motto is "Tell it until it gets across." It doesn't matter if it's rough or uncool—just convey everything on stage. Once we got into that mindset, we were able to escape that struggle.
HARUNA: We've also learned that there are some things that can only be conveyed by continuing on. That's why the music we express is changing more and more. What we can only do now is valuable, but in order to continue for a long time, we want to play music that we can continue to feel comfortable playing even in our 50s.
──What exactly do you think "long-lasting music" means?
RINA: The BPM, tone, and then the lyrics. There is a line for what is okay or not for us now.
HARUNA: We want to use the words of our own lives as lyrics, not just the band's mentality. I think the depth of the band's personality comes not only from what is visible on the surface, but also from the words that come out of our daily lives and our inner selves.
RINA: Having been at this for so long, we felt the importance of taking a pause once, which happened during the pandemic. At that time, we thought that any way of life could be music. Perhaps it's due to being a band since we were young that it's difficult for people to recognize us as adult women. Everyone remembers the first time they see something, right? That is why we are determined to express who we are right now in our words and music. By being like that, I feel that we'll be able to enjoy our band life more in the future.
Since 2007, Billboard has hosted "Billboard Women in Music (WIM)." Each year, the Woman of the Year award is presented to an artist who has made significant contributions to the music industry and empowered women through her work. Starting in 2022, Billboard JAPAN launched a project featuring "women in the music industry" from a unique perspective, and as part of the project, it has been developing a series of interviews focusing on women: "Us and Music."
The guests this time are the four members of SCANDAL, who will be performing at 【Billboard JAPAN Women In Music vol.1】 on November 3 at Hibiya Open-Air Concert Hall. This year, on the band's 17th anniversary, they are also challenging the Guinness World Record for "Longest running rock band with the same musicians (female)." From their current state of mind, you can sense the importance of facing oneself, regardless of whether one is involved in a band or in music, and the core strength that comes from doing so.
We're proud of being an all-girl band
──You will be performing at 【Billboard JAPAN Women In Music vol.1】 on November 3 at Hibiya Open-Air Concert Hall. Please let us know how you feel about the offer.
HARUNA: This year is a very important year for us, which includes our 17th anniversary and us going for a Guinness World Record, and being invited to this wonderful event makes us happy, first of all. Because we've always been a band that values being women, we think that this event is perfect for us.
RINA: We'll be working out the details of our performance later on, but I hope we can present our current selves as is, including our new song that will be released in October. Also, like HARUNA said, the concept of the event is linked to what we feel, so we want to make it a performance with a message while enjoying the music.
──I'm very much looking forward to your performance at the concert now. You mentioned that you value being women. Specifically, how has being women affected SCANDAL's activities?
RINA: In our case, especially at one point about 10 years ago, people often said to us, "You guys transcend the realm of all-girl bands," or, "You're not an all-girl band—you're a full-fledged rock band." I think those were said as compliments, but we felt really uncomfortable with them at the time. When we confronted that feeling, we realized that we really like this genre of music, without any sense that being an all-girl band made us superior or inferior. We had a positive view of being an all-girl band, so when we were told that we had "surpassed being an all-girl band," we couldn't take it as a compliment.
TOMOMI: It was around that time that we began to think that it'd be nice if everyone could enjoy the music of a band, made by women, in a more flat way.
We have been living our lives in our own way - As a result, we have found a way to express ourselves as an all-girl band
──Until I met you all, I thought that there was no need to call you an "all-girl" band, or that you might be uncomfortable with the idea of being called an all-girl band. So when I heard that you like and are proud of the "all-girl band" genre, I realized how faulty my thinking was. What do you like about [being an all-girl band]?
TOMOMI: We had a chance to play concerts overseas during our indie label days, and at that time the four of us wore matching school uniforms. Because of that style, I think that the local people saw all-girl bands as a part of Japanese culture, like anime and manga. When we were interviewed in the US, we were asked, "With the four of you being women, why didn't you form a dance group instead?" I think the reason why that was said to us was because EDM was popular at the time, and all-girl bands must have been rare in the US then. We felt fresh and positive about being categorized as such.
RINA: Band booms come and go from time to time, and it depends on the country. I also think that in the midst of these waves, we have been able to keep the door open for 17 years to girls who want to play an instrument or be in a band. Including that point, our identity as an all-girl band is something we've always been proud of.
MAMI: For us, being an all-girl band is more about living in our own way, rather than liking the all-girl band genre and doing it for its own sake. A band was the best way for us to convey via songs the messages we experience in our everyday lives.
──I heard that you met at a music school where you studied vocals and dance, and that the instructors arranged for you to start playing instruments and form a band. At that time, I think there were fewer female-only bands than there are now. How did you feel at the beginning?
RINA: We felt challenged to start playing instruments we had never played before, and we also felt the technical difficulties. However, there was also the joy of being able to do things that the other students hadn't done, and the pleasure of gradually becoming able to do things we hadn't been able to do before. We were the first all-girl band at the music school we attended, so there was that special feeling as well.
HARUNA: I always liked music and wanted to go to that school and stand on stage with singing and dancing, but I didn't have much luck there. I was a senior in high school at the time and was wondering whether I would go on to college without fulfilling my dream, or whether I should start looking for a job. I felt that I did not want to miss this chance. I might have felt discouraged if I was on my own, but because I had three others with me, I was able to continue to have fun and things felt fresh every day.
──In the first place, I wonder why are there so few women in bands compared to men.
RINA: A band can't be formed by just one person, after all. So when a band consists of only women, there comes a time when each of their life stages change, such as having a child. Even if they don't have any, their bodies themselves change in their 20s and 30s, so I think they run into the problem of physical and time difficulties even if they have the energy. In this sense, the hurdle may be higher for women than for men.
TOMOMI: That's right. If you give birth at different times, you'll have to pause your activities for years. That's why I respect artists who continue to play music while raising children. I think it's a difficult task.
HARUNA: Considering that, in our case, maybe we were lucky that we formed early. Because we started our activities early on, we can reach a point in our life stages where we've continued on to a certain extent and are ready to change.
RINA: In that way, there was a time when we had the same worries as women who work at companies about balancing our careers and personal lives. The way we make music has changed as a result of us wondering how we can live happy and enjoyable lives.
HARUNA: Yeah. There was a time when we made a lot of up-tempo, flashy songs that would get people excited at festivals and concerts, but we began to think, "Is that enough?"
MAMI: Facing our own lives and future as women had an impact on our production. I think that was a very good thing.
──Do the four of you ever talk about or share such changes in mind?
MAMI: We don't have the chance to regularly do so, but we often have the opportunity, such as during interviews like this right now, to confirm each of our opinions and think, "That's right." Also, things like that naturally come up when we write songs. I think our shared view has always been, "We just want to have fun for a long time and keep the band healthy and honest, both physically and mentally."
TOMOMI: With that shared view, I feel that we are able to share in our daily conversations the desire to update and renew ourselves each time.
Important things to keep us going for a long time
──Little by little, I've begun to see how difficult it was to keep going for 17 years. How has SCANDAL been able to continue for so long? What's your secret?
MAMI: I often write lyrics and music, but when I'm stuck, I talk to the other members and they give me hints to make up for the missing elements. It does feel like each member makes up for what each of us lacks.
TOMOMI: It may be that the teacher who first approached the four of us had a discerning eye. We fit together perfectly like pieces of a puzzle, enough to wonder, "How did they know we'd work together so well?"
HARUNA: Also, the four of us didn't give up on playing instruments at the end, so we're still competitive and have plenty of guts (laughs). Maybe that's what the teacher saw in us.
RINA: That's true (laughs). After 17 years, our arrows are still pointing in the same direction. We spent a long time worrying about our direction. We've really tried a lot of different things, not only in regards to music and performances, but also in terms of outfits. Oddly enough, in those situations we all agree as to what will or will not make things more exciting.
TOMOMI: There was a long period of time when we had trouble finding our direction, but we got out of it before we knew it as we tried different things. I think we were probably struggling to become something we weren't. We wanted to fit into some box, but I guess it became easier once we stopped doing that.
RINA: Also, our motto is "Tell it until it gets across." It doesn't matter if it's rough or uncool—just convey everything on stage. Once we got into that mindset, we were able to escape that struggle.
HARUNA: We've also learned that there are some things that can only be conveyed by continuing on. That's why the music we express is changing more and more. What we can only do now is valuable, but in order to continue for a long time, we want to play music that we can continue to feel comfortable playing even in our 50s.
──What exactly do you think "long-lasting music" means?
RINA: The BPM, tone, and then the lyrics. There is a line for what is okay or not for us now.
HARUNA: We want to use the words of our own lives as lyrics, not just the band's mentality. I think the depth of the band's personality comes not only from what is visible on the surface, but also from the words that come out of our daily lives and our inner selves.
RINA: Having been at this for so long, we felt the importance of taking a pause once, which happened during the pandemic. At that time, we thought that any way of life could be music. Perhaps it's due to being a band since we were young that it's difficult for people to recognize us as adult women. Everyone remembers the first time they see something, right? That is why we are determined to express who we are right now in our words and music. By being like that, I feel that we'll be able to enjoy our band life more in the future.
Last edited:
Rina shared outtakes from the photoshoot of their new single
they look great! really love the black suits
SCANDAL RINA『アザーカット』
発売中のMUSICA 23年10月号インタビューと新曲のレビューが掲載されています☑︎この日は初めてのカメラマンさんに写真を撮って頂いたんだけど、お互いの作り…
ameblo.jp
they look great! really love the black suits
some random SCANDAL-related things that i wanted to post but i always forget
the first thing is about Mami, is a "known" fact that before joining SCANDAL / meeting the other members she used to be the drummer of a band called Anpontanzu / あんぽんたんズ, the thing is that i searched for information about them in the J-internet and there is literally no mention about it, i tried hiragana, katakana, kanji, i used a VPN and Japanese search engines, etc and no luck that said i was able to find some hits when searching just あんぽんたん (anpontan) but they aren't really related to her
actually pretty much all mentions about Anpontanzu are from English or other international sites, now i don't expect to find pictures or songs since they were just a high school band that only lasted months maybe, that didn't release or recorded songs and that had no presence in either the internet or real life, still you would expect to at least find some mentions for example as trivia about Mami
the source of this information is the translation of "【BABY ACTION】 100Q & 100A" which was only released as a magazine, the translation of it by fans does seem to be accurate but i wonder why is that literally no one in Japan cared about that info, i think is pretty interesting unfortunately i don't think Mami is going to care mention something she did almost 20 years ago as an after school hobby
here is the bit from the BABY ACTION Q&A
-
Rina writes tons of songs for the band right? something i heard about but never bothered checking was that she wrote the song "glitter" for the girl group Tokyo Performance Doll, there is a music video for it but is unavailable outside Japan, too bad but is not like Rina actually appears or sings in it she only wrote the song
you can listen to the song here
here the news about the single and also a picture of them with SCANDAL
speaking of Rina
back in 2012 she was part of a super group "HALLOWEEN JUNKY ORCHESTRA", these where the members
they also released a music video and Rina appears in it
this version is in better quality but it has less views, worth mention that neither of the two uploads is the original
the group got together again in 2013 but Rina was busy so she was unable to participate, also in perspective this would had been a good Halloween post huh
the first thing is about Mami, is a "known" fact that before joining SCANDAL / meeting the other members she used to be the drummer of a band called Anpontanzu / あんぽんたんズ, the thing is that i searched for information about them in the J-internet and there is literally no mention about it, i tried hiragana, katakana, kanji, i used a VPN and Japanese search engines, etc and no luck that said i was able to find some hits when searching just あんぽんたん (anpontan) but they aren't really related to her
actually pretty much all mentions about Anpontanzu are from English or other international sites, now i don't expect to find pictures or songs since they were just a high school band that only lasted months maybe, that didn't release or recorded songs and that had no presence in either the internet or real life, still you would expect to at least find some mentions for example as trivia about Mami
the source of this information is the translation of "【BABY ACTION】 100Q & 100A" which was only released as a magazine, the translation of it by fans does seem to be accurate but i wonder why is that literally no one in Japan cared about that info, i think is pretty interesting unfortunately i don't think Mami is going to care mention something she did almost 20 years ago as an after school hobby
here is the bit from the BABY ACTION Q&A
Please expose a secret of yours that you've never told anyone until now.
Mami: I used to perform regularly at a live house.
I joined the light music club in high school but they told me, ‘We already have guitarists; we don’t need more. There’s no-one on drums, so play the drums for us’. In the 2nd year of high school I was invited to join my senpai’s band called ‘anpontanzu’ [Blockheads or Idiots]) and I became their drummer (laughs). The singer was a girl, guitar and bass were boys and the other guitarist was a girl. We played covers like Judy and Mary and Blue Hearts and original songs. It felt like a high school band, but we regularly went to a studio for rehearsals and regularly played live in clubs.
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Rina writes tons of songs for the band right? something i heard about but never bothered checking was that she wrote the song "glitter" for the girl group Tokyo Performance Doll, there is a music video for it but is unavailable outside Japan, too bad but is not like Rina actually appears or sings in it she only wrote the song
you can listen to the song here
here the news about the single and also a picture of them with SCANDAL
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natalie.mu
speaking of Rina
back in 2012 she was part of a super group "HALLOWEEN JUNKY ORCHESTRA", these where the members
- Hyde - Vocals, Lyrics, Production
- Acid Black Cherry - Vocals
- Daigo - Vocals
- Kyo - Vocals
- Tommy february6 - Vocals
- Tatsurou - Vocals
- Anna Tsuchiya - Vocals
- Ryuuji Aoki - Vocals
- Kanon Wakeshima - Vocals
- Kaz - Guitar
- Hitsugi - Guitar
- Aki - Bass
- Rina Suzuki - Drums
they also released a music video and Rina appears in it
this version is in better quality but it has less views, worth mention that neither of the two uploads is the original
the group got together again in 2013 but Rina was busy so she was unable to participate, also in perspective this would had been a good Halloween post huh
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that was fast, nice to see they received the award already
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were these posted already? Nippon TV did an interview with SCANDAL
the first video seems to have subtitles, i wasn't sure if they were auto generated at first but seems they were done by a fan
.
in a radio show SCANDAL unveiled the B-side of their new single, the song is called "Candy"
Scandal-heaven posted a rip from the radio show
29th Single - 「Highlight no Naka de Bokura Zutto」
On October 4th, SCANDAL will be releasing their new single Highlight no Naka de Bokura Zutto (ハイライトの中で僕らずっと; We're Always In the Highlights)! It will be availa
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translation!
English - 【見て?】自宅にヤバいもの届いたから見て欲しい... | Amara
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October 4th? just a few days more
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